The Daking COMP II is a handmade compressor\/limiter designed to be easy to use and sound like much more expensive comp\/limiters.\u00a0 Built right here in the USA, it offers better sounding compression on all kinds of sources in the studio.\u00a0 Whether in the hands of a highly experienced engineer who needs fast workflow, or a novice who is not sure how to best set up a compressor, the COMP II gives professional results without a big learning curve.<\/p>\n
With big old-style analog meters and a simple setup, the COMP II is easy to understand and easy to use.\u00a0 Designed carefully by Geoff Daking and Dave Thibodeau to behave well on a variety of real in-studio applications, it may challenge your notions of how good a two-knob compressor can be.<\/p>\n
The two channel, electronically balanced COMP II, can operate in dual mono or stereo linked mode for a beautiful stereo image. In dual mono it acts like two independent mono compressors for use on two different \u2013 perhaps unrelated \u2013 sources. There is no master channel in stereo mode. Each channel retains its independent control.<\/p>\n
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T<\/strong>hreshold:<\/strong>\u00a0 Determines the level at which the compressor begins to work.<\/p>\n <\/p>\n R<\/strong>atio:<\/strong> The slope of the gain reduction. Compress is a low ratio good for general gain reduction, while Limit presents more of a \u201cbrick wall\u201d to the signal.<\/p>\n <\/p>\n Attack:<\/strong> The speed with which the compressor begins to react. Slow allows transients, like the attack of drums, to pass while compressing the back end. Fast will remove transients.<\/p>\n <\/p>\n Release:<\/strong> Determines how quickly the compressor \u201clets go\u201d. Fast is self-explanatory.\u00a0 Auto reacts to both the level of the signal and it\u2019s duration. Small peaks will release quickly, while long and loud signals will release much more slowly.<\/p>\n \u00a0<\/strong><\/p>\n <\/p>\n Make-up Gain:<\/strong> Compensates for any gain lost in compression.\u00a0 For serious rock stars, note the output goes to 11!<\/p>\n <\/p>\n Why it\u2019s Different:<\/strong> The Daking Comp II is a complex design that employs a unique method of gain reduction using a VCA like a FET.\u00a0 This maintains the unique Daking sound of our legacy compressors. Unlike most VCA designs, ours uses feedback gain reduction, a peak detector and an all-discrete Class A follower.<\/p>\n <\/p>\n The outboard power supply makes sure this unit is quiet and usable around the world on any voltage. Switches are illuminated, making it easy to see what\u2019s \u201con\u201d in a dark room.\u00a0 The rear panel offers XLR electronically balanced inputs and electronically balanced XLR\/\u00bc\u201d TRS outputs.<\/p>\n <\/p>\n Purely analog, it\u2019s so easy to get a sound you love. This compressor may easily become your favorite.<\/p>\nCombinations of Attack, Release and Ratio will create different effects. <\/strong><\/h4>\n
The most natural will be Compress \u2022 Slow \u2022 Auto. The most aggressive will be Limit \u2022 <\/strong>Fast <\/strong>\u2022 Fast.<\/strong><\/h4>\n