{"id":18677,"date":"2024-05-14T10:30:01","date_gmt":"2024-05-14T10:30:01","guid":{"rendered":"https:\/\/masteringmansion.com\/pro-audio\/?post_type=product&p=18677"},"modified":"2026-06-18T13:12:08","modified_gmt":"2026-06-18T13:12:08","slug":"ls-508-tom-mic","status":"publish","type":"product","link":"https:\/\/masteringmansion.com\/pro-audio\/categorias\/microfonos\/ls-508-tom-mic\/","title":{"rendered":"LS-508 Tom Mic"},"content":{"rendered":"

Available in single unit, 2-pack, and 3-pack<\/p>\n

SKIP THE EQ<\/strong><\/p>\n

Tom Mic\u2019s tom-tailored frequency response captureseach rack and floor tom with drummer-perspective speed,power, andtone, making EQ an afterthought rather than a must-have.<\/p>\n

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TOMS, NOT CYMBALS<\/strong><\/p>\n

Lauten Audio\u2019s bleed-blockinghead design and dual bias circuitry work together to provide Tom Mic with up to 28dB of off-axis rejection. This meanscrisp, cleartom soundswith far less cymbal bleed than a traditional dynamic or condenser microphone.<\/p>\n

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SUPER-POWERED<\/strong><\/p>\n

Whether stand or rim-mounted, Tom Mic\u2019s newly designedSupercardioid capsule is hand-tuned and vibration-resistantto ensure a powerful balance oftransient,body, and tonewhile minimizing inharmonic overtones fromneighboring drumsand tuning inconsistencies.<\/p>\n

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BUILT TO WORK<\/strong><\/p>\n

EachTom Mic has asolid brassheadframeandmildew-resistant dust filterto protect against stick hits, dust, and debris, whether in the studio or on stage.<\/p>\n

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FIND YOUR PLACE <\/strong><\/p>\n

Because of its unique design, Tom Mic is ideal for a wide array of placement positions while minimizing off-axis sounds. From the slap and isolation of proximity to the lifelikesonics of separation, each placement position offersa wealth of new sonic possibilities. It\u2019s even great on resonant heads as well.<\/p>\n

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SWITCH IT UP<\/strong><\/p>\n

Tom Mic\u2019s filters impactthe overall performance of the microphone and play a critical role initsoverall sonic versatility.<\/p>\n

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Flat High Cut <\/strong>\u2013 Tom Mic\u2019s frequency response boosts from 1kHz-2kHz, dips sharply at 3kHz for snap, then rises around 5k for smack and attack.\u00a0Sensitivity is also reduced from 9kHz through 14kHz tominimizethe sizzle and harshness of cymbal bleed.<\/p>\n

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12kHz High Cut<\/strong> \u2013 Reduce perceived attack from overly bright tom strikes for a slightly rounder and more balanced note. This setting is also helpful for bringing up the perceived body of a floor tom while further reducing bleed from the surrounding cymbals.<\/p>\n

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5kHz High Cut<\/strong> \u2013 Minimize bleed in harshenvironmentswhile preservingtheessential impact and tone of a tom. This setting allows you to reintroduce presence and attack through post-EQ without accentuating unwanted high-frequency elements.<\/p>\n

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Flat Low Cut<\/strong>– Allow all low-frequency information generated by a rack or floor to pass through Tom Mic\u2019s dual-biascircuitry unaltered.<\/p>\n

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80Hz Low Cut<\/strong> \u2013 Gentlyreduce low-frequency buildup while improving perceived clarity from each note. This setting enablestoms to stand out in a mix without sacrificingdensity and low end.<\/p>\n

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140Hz Low Cut<\/strong> \u2013 Significantly reduce low-frequency buildup while enhancing theperceived impact and clarity of each note. This setting is particularly useful in close-mic applications wheretoms need to assertively cut through a dense mix with precision and clarity.<\/p>\n

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IN THE BOX<\/strong><\/p>\n