ANTELOPE COSMOS
\n75+ plugins de clase mundial que le dan vida a una vision.
\nAntelope Cosmos ofrece un conjunto completo de herramientas de producci\u00f3n, adecuado tanto para
\nprincipiantes que mezclan su primera pista como para profesionales que masterizan un \u00e1lbum completo. Incluye
\nefectos esenciales como compresores, ecualizadores,reverberaciones, delays, correcci\u00f3n de tono, herramientas
\nde modulaci\u00f3n, utilidades de medici\u00f3n y opcionesadicionales de procesamiento.<\/p>\n
Con una biblioteca que supera los 75 plugins \u2014y con m\u00e1sa\u00f1adidos regularmente\u2014, la colecci\u00f3n es compatible con
\ncualquier g\u00e9nero musical o tipo de proyecto, ofreciendocapacidades de nivel profesional para la mezcla, el
\nmasterizado y la producci\u00f3n de audio en general.<\/p>\n
C\u00d3MO FUNCIONA<\/p>\n
1. Compra una interfaz Antelope Audio participante.
\n2. Encuentra el c\u00f3digo de licencia de Bitwig Studio
\nEssentials en la pesta\u00f1a \u201cMy Software\u201d del \u00c1rea de
\nUsuario despu\u00e9s de activar el dispositivo.
\n3. Inicia los 3 meses gratis** de Antelope Cosmos desde
\nla pesta\u00f1a \u201cMy Offers\u201d en el \u00c1rea de Usuario tras la
\nactivaci\u00f3n del dispositivo. No se requiere tarjeta de
\ncr\u00e9dito.
\n* Las licencias proporcionadas forman parte de una
\noferta especial y, por lo tanto, no pueden revenderse de
\nforma independiente.
\n** Para los usuarios con membres\u00eda activa, se a\u00f1adir\u00e1n 3
\nmeses gratis a su plan.<\/p>\n
T\u00c9RMINOS Y CONDICIONES
\nLa oferta es v\u00e1lida \u00fanicamente para clientes que
\ncompren una interfaz nueva Zenith2, Zen Quadro
\nSynergy Core, Discrete 8 Oryx Synergy Core,
\nOrion Studio Synergy Core, Orion 32+ Gen 4,
\nGalaxy 32 Synergy Core o Galaxy 64 Synergy
\nCore directamente o a trav\u00e9s de un distribuidor
\nautorizado entre el 1 de abril y el 30 de junio de
\n2026.
\nLos clientes deben activar su interfaz de audio antes del
\n15 de julio de 2026 para recibir la oferta. Todo el
\ncumplimiento promocional est\u00e1 sujeto a la aprobaci\u00f3n
\nde Antelope Audio.<\/p>\n
Galaxy 32 Synergy Core is \u0430 multi-channel audio interface and high-end AD\/DA converter for
\nprofessional recording studios and high-profile production facilities. The interface builds upon Antelope
\nAudio\u2019s award-winning Orion 32 line – bringing 32 channels of analog I\/O, industry-standard HDX,
\nThunderbolt and Dante digital connectivity, and Synergy Core processing to a 1U rack-mountable
\nchassis. Along with the comprehensive I\/O, the Galaxy 32 Synergy Core features high-resolution
\nconversion and 64-bit AFC\u2122 clocking so your recording system can sound better than ever.<\/p>\n
– High-fidelity conversion for detailed sound when recording and streaming audio, and 64-bit
\nAFC\u2122 clocking technology delivering spacious stereo image with distinct separation;
\n– 32 I\/O channels over 8 DC-coupled D-Sub 25 connectors, 64 I\/O channels of optical MADI and 8
\nI\/O channels of ADAT;
\n– 64 I\/O channels in any popular DAW over Thunderbolt 3 port, 64 I\/O channels in Pro Tools over
\ntwo HDX ports, and up to 64 I\/O channels over Dante with primary port and a mirrored
\nsecondary port for redundancy;
\n– Simultaneous use of all digital ports for easy integration with multiple systems and different
\nsetups;
\n– 37 Synergy Core analog-modeled effects included and over 30 available as optional expansions.
\nProcessed in real-time with imperceptible latency;
\n– Virtual patch-bay allowing execution of complicated input\/output signal routing with a simple
\ndrag and drop.<\/p>\n
Unrivaled Audio Performance
\nExperience a new level of detail in your recordings and enjoy wider soundstage for an exceptional stereo
\nimage in audio playback. The transparent mastering-grade converters with up to 130dB of headroom
\nand that same 64-bit AFC\u2122 clocking technology from Antelope Audio\u2019s legendary master clocks, go hand
\nin hand to deliver unrivaled audio performance for your entire studio.<\/p>\n
Refine your Projects with Synergy Core Processing
\nThe effects coming with Synergy Core are modeled after iconic studio equipment and can be applied in
\nreal-time during monitoring, post-production, and live recording. The exclusive compressors, EQs and
\npreamps, are processed with near zero latency entirely inside the interface, putting zero load on your
\nhost CPU. The onboard Synergy Core contains the processing power of a complex multi-rack setup which
\nenables you to load up to 128 instances of your favorite signal processors in a single session. Need a
\nconsole bus compressor on the entire drum kit, or a mastering EQ on your mix bus? You got it.<\/p>\n
At any time, you can expand your collection by purchasing more analog-modeled effects such as Grove
\nHill's Liverpool, and 3rd party effects like Antares\u2019 Auto-Tune.<\/p>\n
Seamless Integration, Extensive I\/O
\nThe 1U box fits perfectly in high-end audio installations that need to transfer audio over long distance
\nor are simply short on rack space but need to track all audio simultaneously. The versatile interface
\nfuses multiple devices into one by combining a converter, digital patch bay, Dante system and MADI,
\nHDX and Thunderbolt 3 interface.
\nDozens of external preamps and signals can be fed in and out of the interface via the eight D-
\nSub 25 connectors and digital expansion is available through the optical MADI, ADAT, and S\/PDIF ports.<\/p>\n
Large Sessions and Efficient Workflow
\nInput and output channels are no longer a scarce resource with the Galaxy 32 Synergy Core. Unlike
\nmodular systems, all I\/O is available at any time and can be used simultaneously without the need to
\nexchange boards or change setups, making it easy to work on multiple sessions. Thanks to Antelope
\nAudio's unique FPGA programming your HD or HDX rig can now maintain 64 I\/O channels in Pro Tools,
\neven at 192kHz.<\/p>\n
Features That Make Record-Making Easier
\nThe digital routing of the Galaxy 32 Synergy Core is an entire virtual patch-bay that will help you quickly
\nsort all the channels going in and out of the interface. For maximum ease, a simple drag and drop
\nfunction and color-coded labeling help you save time during the set-up process. Apart from the intuitive
\nrouting, the software control panel allows you to run DAW playback channels through effects, create
\npresets, quickly configure mixes and more.<\/p>\n
Features<\/p>\n
Connectivity
\n\u2022 32 analog input channels over 4 \u00d7 D-Sub 25 connectors with AC\/DC coupling switch (TASCAM
\nstandard);
\n\u2022 32 analog output channels over 4 \u00d7 DC-coupled D-Sub 25 connectors (TASCAM standard);
\n\u2022 Dante\u2122 audio over IP with primary port for audio transfer over long distances and a mirrored
\nsecondary port for redundancy;<\/p>\n
\u2022 2 \u00d7 HDX ports (24-bit, 192kHz): up to 64 channels I\/O for Pro Tools HD \/ HDX integration;
\n\u2022 Thunderbolt\u2122 3 port with custom macOS & Windows drivers for low latency performance in native
\nDAW applications;
\n\u2022 Digital I\/O: 64 channels of optical MADI, 8 channels of ADAT, and 2 channels over S\/PDIF;
\n\u2022 Clocking I\/O: 1 \u00d7 word clock\/loop sync input, 2 \u00d7 word clock\/loop sync outputs, 1 \u00d7 10\u041c input;
\n\u2022 1 \u00d7 Dedicated stereo monitor output over \u00bc TRS.<\/p>\n
Clocking & conversion
\n\u2022 Proprietary 64-bit AFC\u2122 (Acoustically Focused Clocking) technology delivering spacious stereo image
\nwith distinct separation for an unrivalled level of detail;
\n\u2022 High-resolution A\/D and D\/A conversion ensuring artefact-free recordings and mastering-grade
\nconverter with 130dB headroom for critical listening without coloration or signal degradation.<\/p>\n
Real-time effects processing
\n\u2022 Collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear;
\n\u2022 Synergy Core proprietary onboard platform powered by 6 \u00d7 DSP & 2 \u00d7 FPGA chips for real-time effects
\nprocessing with imperceptible latency;
\n\u2022 Up to 128 real-time effects instances per session loaded simultaneously.<\/p>\n
Included Synergy Core effects
\n\u2022 18 Equalizers (incl. BAE-1023, VEQ-STU 089, VEQ-4K BLACK & More)
\n\u2022 12 Compressors & Limiters (incl. Stay-Levin, FET-A76, BAE 10DCF & More)
\n\u2022 2 Preamps & Channel Strips (incl. BA-31, Gyraf Gyratec IX)
\n\u2022 5 Special Processing Effects (incl. Marble White AutoWah, Vari-Speed Tremolo, Master De-Esser,
\nAuraverb, A-Tuner)<\/p>\n
Workflow-enhancing features
\n\u2022 Virtual patch-bay allowing execution of complicated input\/output signal routing with a simple drag
\nand drop;
\n\u2022 All digital ports can be used simultaneously for easy integration with multiple systems and different
\nsetups;<\/p>\n
\u2022 4 x onboard low-latency stereo mixers with 32 input channels each, with adjustable levels, panning
\nand reverb settings – suitable for monitoring or summing;
\n\u2022 Customizable presets complete with signal routing, level adjustments, mixer settings and effects;
\n\u2022 Direct monitoring with effects, processed in real-time with imperceptible latency;
\n\u2022 Two 1.8" IPS display screens for independent signal metering;
\n\u2022 Option to work without being connected to a computer (standalone operation);
\n\u2022 Wireless control of software features from a separate computer connected to the same network.<\/p>\n
In-the-box Content<\/p>\n
\u25cf Power cable
\n\u25cf Power adapter
\n\u25cf Getting Started guide
\nNote: The device does not come with a Thunderbolt cable included<\/p>\n
Dimensions<\/p>\n
Device:
\nW: 48,3 cm (19 in); D: 27,9 cm (11 in); H: 4,4 cm (1,73 in); 3,4 kg (7,5 lbs)
\nBox:
\nW: 63,6 cm (25 in); D: 34 cm (13,4 in); H: 11 cm (4,3 in); 5 kg (11 lbs)<\/p>\n
Technical Specifications
\nAD Line Input:
\nInput Connection:\u202f \u202f4 x D-sub 25-pin (Tascam<\/p>\n
Standard)
\nI\/O Channel Count\u202f \u202f32 Channels
\nInput level trim\u202f \u202f12 dBu to 22 dBu in steps of 1 dB
\nDynamic Range\u202f 122 dB
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit
\nTHD+N (A)\u202f -116 dB
\nImpedance Load\u202f \u202f11.2 kOhms<\/p>\n
DA Line Output:
\nOutput Connection:\u202f 4 x DC-coupled D-sub-25-
\npin (Tascam Standard)<\/p>\n
I\/O Channel Count\u202f \u202f32 Channels<\/p>\n
Output level\u202f \u202f-inf to 22dBu \/\/ 1 dB step
\nDynamic Range\u202f \u202f128 dB
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit
\nTHD+N (A)\u202f \u202f-115 dB
\nImpedance Load\u202f \u202f56 Ohms<\/p>\n
DA Monitor Output:
\nOutput Connection:\u202f \u202f2 x 1\/4\u201d 6.35 mm Jack (3 pin)
\nChanel Count\u202f\u202f \u202f2 Channels
\nOutput level\u202f \u202f-inf to 22dBu \/\/ 1 dB step
\nDynamic Range\u202f \u202f130 dB
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit<\/p>\n
THD+N (A)\u202f \u202f-115 dB
\nImpedance Load\u202f \u202f56 Ohms<\/p>\n
Digital Interface \u2013 Thunderbolt:
\nInterface Connection:\u202f \u202f1 x Thunderbolt 3 Port, I\/O
\nI\/O Channel Count\u202f \u202f64 Channels
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit
\nControl Panel Support\u202f \u202fSupported<\/p>\n
Digital Interface – Dante:
\nInterface Connection:\u202f \u202f2 x RJ-45 Ports, I\/O
\nI\/O Channel Count\u202f \u202f64 Channels (@44.1\/48.0 kHz)
\nConnectivity\u202f\u202f Primary and Redundant
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit<\/p>\n
Digital Interface – HDX:
\nInterface Connection:\u202f \u202f2 x HDX Ports, I\/O
\nI\/O Channel Count\u202f \u202f64 Channels (32 Per Port)
\nPrimary\/Secondary ports\u202f \u202f2 Primary
\nSupported sample rates\u202f \u202f44.1 kHz\u2014192 kHz, 24-bit PCM
\nDelay Compensation\u202f \u202fSupported
\nManual Delay Compensation\u202f \u202fSupported (up to 128 samples)
\nSession I\/O Support\u202f \u202fYes (16×16)<\/p>\n
Digital Interface – MADI:
\nInterface Connection:\u202f \u202f2 x Optical SC Connectors
\nMADI Mode\u202f \u202fDual Wire, Optical
\nSMUX\u202f \u202fSupported
\nMadi Protocol\u202f \u202fAES10-2003
\nI\/O Channel Count\u202f \u202f64 Channels @44.1\/48.0 kHz
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit<\/p>\n
Digital Interface – S\/PDIF:
\nInterface Connection:\u202f \u202f2 x RCA Connectors
\nSPDIF SRC\u202f Not Supported
\nI\/O Channel Count\u202f \u202f2 Channels
\nSupported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit<\/p>\n
Digital Interface – ADAT<\/p>\n
Interface Connection:\u202f \u202f2 x Optical
\nSMUX MODE Supported
\nI\/O Channel Count\u202f 8 Channels In
\n8 Channels Out<\/p>\n
Supported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit<\/p>\n
Clocking System
\nClocking Technology\u202f \u202f4th Generation Acoustically Focused<\/p>\n
Clocking
\n64-Bit Jitter Management DDS<\/p>\n
Word Clock\/Loop-Sync Input\u202f \u202f1 x Input @ 75 Ohms 3Vpp on BNC
\nWord Clock\/Loop-Sync Output\u202f \u202f2 x Output @ 75 Ohms 3Vpp on<\/p>\n
BNC<\/p>\n
10M Atomic Reference Input\u202f \u202f1 x Input @ 75 Ohms 1Vpp on BNC
\nClock Stability
\nClock Aging
\nClock Calibration<\/p>\n
<+\/-0.02 ppm.
\n< 1 ppm per year
\n<+\/-0.001 ppm<\/p>\n
Supported sample rates\u202f 44.1 kHz\u2014192 kHz, 24-bit<\/p>\n
Display Screens
\nDisplay Count 2
\nDisplay Type IPS
\nResolution 320×240<\/p>\n
Dimensions 1.8\u201d<\/p>\n
Others
\nOperational Temperature\u202f 0-50\u00b0C\/32-122\u00b0F
\nElectrical Specs\u202f 40 Watts
\nWeight\u202f\u202f 3.4 kg\/ 7.49 lbs<\/p>\n
Dimensions<\/p>\n
W482.6
\nD279
\nH44<\/p>\n
LIST OF INCLUDED SYNERGY CORE EFFECTS
\nTotal effects: 37<\/p>\n
Equalizers<\/p>\n
FX Name FX<\/p>\n
Category FX Type<\/p>\n
VEQ-55A Equalizers 3-Band EQ \/ HPF \/ LPF
\nVEQ-4K BLACK Equalizers 4-Band EQ \/ HPF \/ LPF
\nVEQ-4K BROWN Equalizers 4-Band EQ \/ HPF \/ LPF
\nVEQ-4K
\nORANGE Equalizers 4-Band EQ \/ HPF \/ LPF
\nVEQ-4K PINK Equalizers 4-Band EQ \/ HPF \/ LPF
\nVEQ-HA32C Equalizers 4-Band EQ \/ HPF \/ LPF
\nVEQ-STU 900 Equalizers 4-Band EQ \/ HPF \/ LPF
\nNEU-W492 Equalizers 4-Band EQ
\nVMEQ-5 Equalizers 3-Band Tube Mid-Range<\/p>\n
EQ<\/p>\n
BAE-1084 Equalizers 3-Band EQ \/ HPF \/ LPF
\nVEQ-STU 089 Equalizers 3-Band EQ \/ HPF \/ LPF
\nBAE-1023 Equalizers 3-Band EQ \/ HPF
\nVEQ-1A Equalizers 2-Band Tube EQ
\nVEQ-HLF Equalizers Tube 2-Band HPF \/ LPF
\nVEQ-STU 169 Equalizers 3-Band EQ \/ HPF
\nNEU-PEV Equalizers 3-Band EQ<\/p>\n
NEU-W495 Equalizers 3-Band EQ
\nClear Q Equalizers Parametric EQ<\/p>\n
Compressors & Limiters
\nFX Name FX Category FX Type<\/p>\n
VCA160<\/p>\n
Compressors &
\nLimiters VCA Compressor \/ Limiter<\/p>\n
X903<\/p>\n
Compressors &
\nLimiters VCA Compressor \/ Limiter<\/p>\n
ALT-436C<\/p>\n
Compressors &
\nLimiters<\/p>\n
Vari-Mu Tube Compressor<\/p>\n
Amplifier<\/p>\n
Tube 176<\/p>\n
Compressors &
\nLimiters<\/p>\n
Vari-Mu Tube Compressor<\/p>\n
\/ Limiter<\/p>\n
Stay-Levin<\/p>\n
Compressors &
\nLimiters Vari-Mu Tube Compressor<\/p>\n
SMT-100A<\/p>\n
Compressors &
\nLimiters<\/p>\n
Tube Leveling Amplifier \/<\/p>\n
Limiter<\/p>\n
FET-A78<\/p>\n
Compressors &
\nLimiters<\/p>\n
FET Compress Stereo
\nPeak Limiter<\/p>\n
FET-A76<\/p>\n
Compressors &
\nLimiters<\/p>\n
FET Compressor \/ Limiting<\/p>\n
Amplifier<\/p>\n
BAE
\n10DCF<\/p>\n
Compressors &
\nLimiters Compressor \/ Limiter<\/p>\n
PowerEX<\/p>\n
Compressors &
\nLimiters Expander<\/p>\n
PowerFFC Compressors &
\nLimiters<\/p>\n
Feed-Forward Compressor<\/p>\n
PowerGat
\ne<\/p>\n
Compressors &
\nLimiters Noise Gate<\/p>\n
Preamps & Channel Strips
\nFX Name FX Category FX Type
\nBA-31 Preamps &<\/p>\n
Channel Strips Germanium Mic Preamp<\/p>\n
Gyraf
\nGyratec IX<\/p>\n
Preamps &
\nChannel Strips<\/p>\n
Dual Tube Mic Preamp
\nwith HPF<\/p>\n
Special Processing FX<\/p>\n
FX Name FX Category FX Type
\nMarble White
\nAutoWah<\/p>\n
Special
\nProcessing<\/p>\n
Auto-Wah
\nPedal<\/p>\n
Vari-Speed Tremolo Special<\/p>\n
Processing Tremolo<\/p>\n
Auraverb Special<\/p>\n
Processing Reverb<\/p>\n
Master De-Esser Special<\/p>\n
Processing De-Esser<\/p>\n
A-Tuner Special<\/p>\n
Processing Guitar Tuner<\/p>\n","protected":false},"excerpt":{"rendered":"
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