Descripción
Available in single unit, 2-pack, and 3-pack
SKIP THE EQ
Tom Mic’s tom-tailored frequency response captureseach rack and floor tom with drummer-perspective speed,power, andtone, making EQ an afterthought rather than a must-have.
TOMS, NOT CYMBALS
Lauten Audio’s bleed-blockinghead design and dual bias circuitry work together to provide Tom Mic with up to 28dB of off-axis rejection. This meanscrisp, cleartom soundswith far less cymbal bleed than a traditional dynamic or condenser microphone.
SUPER-POWERED
Whether stand or rim-mounted, Tom Mic’s newly designedSupercardioid capsule is hand-tuned and vibration-resistantto ensure a powerful balance oftransient,body, and tonewhile minimizing inharmonic overtones fromneighboring drumsand tuning inconsistencies.
BUILT TO WORK
EachTom Mic has asolid brassheadframeandmildew-resistant dust filterto protect against stick hits, dust, and debris, whether in the studio or on stage.
FIND YOUR PLACE
Because of its unique design, Tom Mic is ideal for a wide array of placement positions while minimizing off-axis sounds. From the slap and isolation of proximity to the lifelikesonics of separation, each placement position offersa wealth of new sonic possibilities. It’s even great on resonant heads as well.
SWITCH IT UP
Tom Mic’s filters impactthe overall performance of the microphone and play a critical role initsoverall sonic versatility.
Flat High Cut – Tom Mic’s frequency response boosts from 1kHz-2kHz, dips sharply at 3kHz for snap, then rises around 5k for smack and attack. Sensitivity is also reduced from 9kHz through 14kHz tominimizethe sizzle and harshness of cymbal bleed.
12kHz High Cut – Reduce perceived attack from overly bright tom strikes for a slightly rounder and more balanced note. This setting is also helpful for bringing up the perceived body of a floor tom while further reducing bleed from the surrounding cymbals.
5kHz High Cut – Minimize bleed in harshenvironmentswhile preservingtheessential impact and tone of a tom. This setting allows you to reintroduce presence and attack through post-EQ without accentuating unwanted high-frequency elements.
Flat Low Cut– Allow all low-frequency information generated by a rack or floor to pass through Tom Mic’s dual-biascircuitry unaltered.
80Hz Low Cut – Gentlyreduce low-frequency buildup while improving perceived clarity from each note. This setting enablestoms to stand out in a mix without sacrificingdensity and low end.
140Hz Low Cut – Significantly reduce low-frequency buildup while enhancing theperceived impact and clarity of each note. This setting is particularly useful in close-mic applications wheretoms need to assertively cut through a dense mix with precision and clarity.
IN THE BOX
- Tom Mic
- Articulating Swivel
- Cordura Padded Bag
SPECS
Type: Side-address pressure gradient FET condenser
Capsule: 32mm
Polar Patterns: Super-Cardioid
Freq. Response: 20Hz-20KHz
High Pass Filter: Flat / 80Hz / 140Hz
Low Pass Filter: Flat / 5kHz / 12kHz
Dynamic Range: 135dB minimum
SPL Handling:>135DB (0.5%THD@1000Hz)
Impedance:>150 ohms
Self-noise level:< 15dB-A
Signal-to-Noise Ratio: 79dB
Sensitivity: -58.0dBV/Pa (0dB=1V/Pa 1KHz)
Connector: 3-pin XLR
Power: Requires 48v Phantom Power
Dimensions: 127 x 60mm (mic only) 131 x 106mm (with mount)
Weight: 348g (mic only) 450g (with mount)
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