Descripción
«Overview
Titan is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Titan is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.
Titan provides Prism Sound’s renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Titan can also operate stand-alone using its S/PDIF or AES3 I/O.
Signal path
Eight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer’s audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with ‘bootstrapping’, i.e. level is maintained if one leg is grounded.
Titan in Brief
No-compromise, full Prism Sound audio quality
Dedicated USB interface
ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)
Directly compatible with CORE AUDIO on Mac OS X 10.4+
Eight «»Prism Sound»» premium-quality AD and DA channels
Concurrent operation of ADAT and switchable S/PDIF or AES3 ports
Four high-end integrated mic preamps (typ.-130dBu EIN), switchable phantom
MS Matrix processing on mic inputs
Two instrument inputs
RIAA Equalization on inputs 1 & 2
Prism Sound Overkillers on every analogue channel to control transient overloads
Fully-floating (isolated) balanced architecture for optimum noise rejection
Mono or stereo input configurations
Outputs selectable between workstation bus or Titan mixer
Low-latency console-quality digital mixer for foldback monitoring
Fader, pan, cut, solo on every mixer channel
Dual headphone outputs each with its own front-panel volume control
Front-panel master volume control, assignable to selected channels
Configurable for stereo, 5.1 or 7.1 or surround monitoring
Built-in sample rate conversion (SRC) on S/PDIF Inputs and Outputs
Prism Sound 4-curve SNS noise shaping on digital outputs
State-of-the-art clock generation with proprietary hybrid 2-stage DPLL
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